• Cao Fei, "Whose Utopia," 2006.

    “Whose Utopia” – Cao Fei at the Museum of Modern Art

    Factories always fascinate me, as I often wonder how the things I eat, use, or consume are manufactured by workers or machines: transforming raw materials into final products. Since the Industrial Revolution, factories have become a prominent subject of art history. Some artists depict them as a spectacle, some express concerns about their environmental impact, and others simply appreciate the…

  • Making Medieval New: “Gothic Spirit” at Luhring Augustine

    Gothic Spirit: Medieval Art from Europe, on view through March 7, 2020 at Luhring Augustine and presented in partnership with London-based gallery Sam Fogg, features around thirty pieces of medieval art from private collections. These objects are exhibited against a backdrop typically seen in modern and contemporary art galleries. The blank walls and clean, bright lighting of this setting, as…

  • Charlotte Perriand

    Charlotte Perriand: Pioneering Design in a Man’s World

    Pictured on street corners and plastered throughout the metro system, an eye-catching image announcing the Fondation Louis Vuitton’s current exhibition Charlotte Perriand: Inventing a New World has bombarded Parisians for weeks. In the advertisement, a photograph shows the architect-designer Perriand (1903–1999) silhouetted against her native French Alps, sparsely outfitted in only pants and a pearl necklace, thrusting a pair of mittens…

  • Edmund de Waal

    Reworking Spaces: “Elective Affinities: Edmund de Waal” at The Frick Collection

    Walking into The Frick Collection, one is met with a historic setting in which to view a wide range of paintings, sculptures, decorative arts, and currently, contemporary British artist Edmund de Waal’s Elective Affinities: Edmund de Waal at The Frick Collection. The exhibition was curated by Charlotte Vignon, Curator of Decorative Arts. A unique, exciting element of this exhibition is…

  • A Daring Balancing Act: “Programmed” at the Whitney

    Drawing heavily from the Whitney Museum of American Art’s permanent collection, Programmed: Rules, Codes, and Choreographies in Art, 1965–2018 includes a broad range of works that spans fifty years of instruction-based artistic practice. In a groundbreaking collaboration, the exhibition was co-curated by Christiane Paul, Adjunct Curator of Digital Art, and Carol Mancusi-Ungaro, Melva Bucksbaum Associate Director for Conservation and Research.…

  • Joan Semmel

    Reflections on the Body and Self in Joan Semmel’s New Paintings

    Despite a month of chilling temperatures, Joan Semmel’s captivating new paintings on view in A Necessary Elaboration at Alexander Gray Associates (January 10 – February 16, 2019) bestow a welcome rush of warmth and meditative calm upon gallery-goers. In a series of works produced within the last two years, Semmel demonstrates her mastery of color and the sculptural application of…

  • Bruce Nauman

    Master Manipulator: Bruce Nauman at MoMA

    Bruce Nauman: Disappearing Acts opened in March at the Schaulager Museum in Basel, Switzerland, to rave critical reviews and social media buzz. Here in New York, the work is presented in two parts between the Museum of Modern Art and MoMA PS1, and although the curators refrain from calling it a retrospective, according to the museum website it is “the…