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March 21, 2023

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Natalie Terenzini’s Candy-Colored Voyeurism: Mousetrap at Thierry Goldberg
Natalie Terenzini’s Candy-Colored Voyeurism: Mousetrap at Thierry Goldberg
April 11, 2022
“The Universal in the Personal:” A Conversation with David Ma and Caleb Williams
“The Universal in the Personal:” A Conversation with David Ma and Caleb Williams
February 3, 2022
Dead and Dying: Betye Saar’s and J. M. W. Turner’s Slave Ships
Dead and Dying: Betye Saar’s and J. M. W. Turner’s Slave Ships
December 21, 2021
Graphic Scholarship: Breaching the Zoom Room in the Art of Dr. Jojo Karlin
Graphic Scholarship: Breaching the Zoom Room in the Art of Dr. Jojo Karlin
December 7, 2021
Art and Surveillance: Hiding in Plain Sight
Art and Surveillance: Hiding in Plain Sight
November 21, 2021

Columns

Art and Surveillance: Hiding in Plain Sight
Art and Surveillance: Hiding in Plain Sight
By Tyler Spencer
Art and Surveillance
Art and Surveillance
By Tyler Spencer

Columns

About

Welcome to IFAcontemporary!

IFAcontemporary is a forum for modern and contemporary students at the Institute of Fine Arts. Our mission is to connect our academic community with artists, scholars, curators, conservators, gallerists, collectors and other New Yorkers with an interest in the arts.

This website will serve as an open forum for IFA students and alumni. We encourage you to contribute your thoughts and join our discussion. Please contact us or visit our Get Involved page for more information on how to submit.

“I often think about what white fun looks like,

“I often think about what white fun looks like, and this notion that Black people can’t have the same. Growing up with Tumblr, I would often come across images of sensual, young, attractive white models running around being free and having so much fun—the kind of stuff Larry Clark and Ryan McGinley would make. I seldom saw that freedom for Black people in images—or at least in the photography I knew. My work responds to this lack. I feel an urgency to visualize Black people as free, expressive, effortless, and sensitive.” —Tyler Mitchell

See Mitchell’s work in “Tyler Mitchell: I Can Make You Feel Good” on view @icp

If you have to be at Port Authority on a Sunday mo

If you have to be at Port Authority on a Sunday morning, at least it’s nice to know that George Segal is there, too. .
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#georgesegal “The Commuters,” 1980

Frida Kahlo stealing the show in “Vida Americana

Frida Kahlo stealing the show in “Vida Americana: Mexican Muralists Remake American Art, 1925-1945” @whitneymuseum

This week, we are pleased to publish MA candidate

This week, we are pleased to publish MA candidate Frances Lilliston's review of the exhibition “Gothic Spirit: Medieval Art from Europe” currently on view at Luhring Augustine. Lilliston discusses the merits of exhibiting pre-modern art in a contemporary context. Link to her review in bio! @luhringaugustine @samfogglondon @antigonick
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Caption: "Gothic Spirit: Medieval Art from Europe," in association with Sam Fogg, London, Installation view, January 25 – March 7, 2020, at Luhring Augustine, New York. Courtesy of Luhring Augustine and Sam Fogg

The new Duke House Exhibition is now on view @nyui

The new Duke House Exhibition is now on view @nyuifa ! “Fanny Sanín’s New York: The Critical Decade, 1971-1981” is the first comprehensive solo exhibition to explore the artist’s evolving practice of geometric abstraction during her first decade living and working in New York City @islaa_art #fannysanin #dukehouseexhibition

Today on the blog: we’re happy to publish IFA Ph

Today on the blog: we’re happy to publish IFA PhD candidate Johanna Sluiter's review of the exhibition “Charlotte Perriand: Inventing a New World” currently on view at the @fondationlv Sluiter explores how the exhibition frames architect-designer Perriand's career in relation to her male contemporaries. Link in bio! .
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Image caption: Charlotte Perriand – Maison de la Tunisie, chambre d’étudiant – Cité universitaire international’s de Paris, 1952″ Reconstitution 2019, vue de l’installation Fondation Louis Vuitton, Paris – 2 Octobre 2019 – 20 Février 2020. Crédits artistes : © Adagp, Paris, 2019 Crédit photo : © Fondation Louis Vuitton / Marc Domage

Julia Bland 🕸 Michelle Segre On view @derekell

Julia Bland 🕸 Michelle Segre
On view @derekellergallery through March 8

Noah Davis @davidzwirner through February 22

Noah Davis @davidzwirner through February 22

✨Liza Lou✨ Her installation is a full-scale re

✨Liza Lou✨ Her installation is a full-scale replica of a kitchen space entirely covered in glass beads. “Kitchen” (1991-1996) is currently on view @whitneymuseum in “Making Knowing: Craft in Art, 1950–2019” @liza_lou_studio @lehmannmaupin

Footage of the making of Gordon Matta’s-Clark’

Footage of the making of Gordon Matta’s-Clark’s “Conical Intersect” (1975), an architectural intervention into a pair of Parisian 17th-century buildings set to be demolished to make way for urban renewal. On view in “Gordon Matta-Clark: Anarchitect” @roseartmuseum #gordonmattaclark

Installation shots from "Sur moderno: Journeys of

Installation shots from "Sur moderno: Journeys of Abstraction—The Patricia Phelps de Cisneros Gift" on view now @themuseumofmodernart
The exhibition features Abstract and Concrete artists from South America spanning from the mid-1940s through the late 1970s.

Happy to publish Master's student Danarenae Donato

Happy to publish Master's student Danarenae Donato's review of Edmund de Waal's exhibition @frickcollection today! @danarenaed , who studies Italian Renaissance art at the IFA, explores how de Waal's minimalist contemporary sculptures engage with The Frick's collection of Renaissance and Baroque fine and decorative arts. Link in bio!

@edmunddewaal #edmunddewaal .

Image caption: Edmund de Waal (b.1964), sub silentio, porcelain, steel, and plexiglass, on view in the Living Hall, Two of: 24 × 4 3/4 × 4 3/4 inches, One of: 22 7/16 × 4 3/4 × 4 3/4 inches, Two of: 21 5/8 × 6 5/16 × 6 5/16 inches, © Edmund de Waal. Courtesy the artist and The Frick Collection; photo: Christopher Burke

Work by New York-based photographer Arielle Bob-Wi

Work by New York-based photographer Arielle Bob-Willis in “The New Black Vanguard: Photography Between Art and Fashion.” Organized by @sirsargent and on view @aperturefnd through January 18. @ariellebobbwillis

"Notes on Solidarity: Tricontinentalism in Print"

"Notes on Solidarity: Tricontinentalism in Print" @jamesgallerygc through November 2nd!

Exploring a chapter of the anti-colonial struggles that unfolded after World War Two, Notes on Solidarity: Tricontinentalism in Print considers the role played by printed materials in the practice of Tricontinentalism. A political project born of the mid-1960s, Tricontinentalism aimed to unite liberation movements across Asia, Africa, and Latin America.

Sarah Sze @tanyabonakdargallery

Sarah Sze @tanyabonakdargallery

Anni Albers @davidzwirner #annialbers

Anni Albers @davidzwirner
#annialbers

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