This past weekend, photography fans and connoisseurs descended upon the Grand Palais for the 18th annual Paris Photo Fair. Held November 13-16, 2014, it boasted 143 galleries and twenty-six art booksellers representing thirty-five countries. Grandiose and historically rich, the venue provided ideal conditions for viewing photographs: the sprawling dome of the Grand Palais offered abundant natural light, while the tightly-packed booths were simple, cut-to-the-chase affairs, with off-white walls.
The upper level of the Grand Palais functioned as a non-commercial gallery space for recent acquisitions from the Museum of Modern Art as well as for the Alkazi Foundation for the Arts’ collection of early Indian and South Asian photography. Smaller wings displayed works sponsored by Giorgio Armani, JP Morgan Chase, and BMW. These spaces, located at the top of a grand staircase and away from the bustling ground floor, subtly linked the works on sale at Paris Photo with private, museum-quality collections, and underscored the potential for these photographs to act as investment pieces.
The beating heart of the fair was a social space at the base of the grand staircase, which was continually abuzz with visitors flipping through art tomes and awaiting artists’ signatures. Ample opportunity to encounter the artists themselves contributed to the sense that Paris Photo not only stimulates monetary transactions, but also the transaction of knowledge between enthusiasts and a shared passion for the medium.