• A Daring Balancing Act: “Programmed” at the Whitney

    Drawing heavily from the Whitney Museum of American Art’s permanent collection, Programmed: Rules, Codes, and Choreographies in Art, 1965–2018 includes a broad range of works that spans fifty years of instruction-based artistic practice. In a groundbreaking collaboration, the exhibition was co-curated by Christiane Paul, Adjunct Curator of Digital Art, and Carol Mancusi-Ungaro, Melva Bucksbaum Associate Director for Conservation and Research.…

  • Glenn Ligon

    The Usable Past

    The Usable Past: “The concept that a self-conscious examination of historical figures, moments, and symbols can shape current and future political formation.”[1] This is how the Whitney defines the title of one of five galleries in their ongoing permanent collection exhibition An Incomplete History of Protest. The works in the gallery present memory and nostalgia as both powerful and yet…