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  • (Re)Views
  • Interviews
  • IFA Insights
  • Notes from the Lectern

Recent Posts

  • Feb 07, 2019 Reflections on the Body and Self in Joan Semmel’s New Paintings
  • Dec 17, 2018 Master Manipulator: Bruce Nauman at MoMA
  • Nov 20, 2018 Door to Manhattan: An Interview with Curator Kelly Baum
  • Oct 09, 2018 Fleeting Structures: Diana Al-Hadid at the Bronx Museum
  • Sep 27, 2018 An Interview with Artist Nasrin Sheykhi
  • Moved by the Grandeur of Ancient Ruins,[1] the Artist Takes Notes – thoughts on three current, un-visitable London exhibitions [2]

    October 3, 2012

    “[…] he mistook the curtains of the window of his room for a canvas, and he kept describing what he was painting: the colors, shapes, and shades.”[3] On broad empty surfaces, marks begin to show—indicative of fragility, a sense of loss? Or expectation? Thought-full? Thought-less? Mannerisms coincide. A type of gestural painting that emerges out of contradictions. Too much, I…

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