• Stephen Shore

    Art World Meets Instagram

    In a gallery off to one side in the ongoing (through May 28, 2018) retrospective on the photography of Stephen Shore at the Museum of Modern Art is a row of iPads linked continuously to Shore’s ever-changing Instagram account. While Shore’s work has always strived to replicate quotidian experiences, it feels strange to scroll through the account while surrounded by…

  • Art, and a Museum, in Flux

    On a curtain of vinyl strips are projected two reproductions of Henri Matisse’s painting La Danse. Even in their dematerialized, doubled state the dancers are instantly recognizable, but after several seconds they vanish, replaced now by a Warhol portrait of Mao that is paired with a Mondrian Composition. The sequence continues, a parade of Van Goghs, Cézannes, Kandinskys, and Klees…

  • Sturtevant: The Troublemaker

    In early February, Curatorial Assistant Ingrid Langston and IFA MA Candidate Ashley McNelis toured the MoMA galleries. Langston assisted MoMA PS1 Curator Peter Eleey in organizing the exhibition Sturtevant: Double Trouble at MoMA, which runs from November 9, 2014 to February 22, 2015. Double Trouble is timely not just in light of the artist’s recent passing, but also because it is only Sturtevant’s second American-organized…

  • Confronting the Burdens of Chronology: The Forever Now at MoMA

    Proclaiming the current cultural moment as one in which all historical eras coexist, The Forever Now: Contemporary Painting in an Atemporal World (on view December 14, 2014 to April 5, 2015) constitutes the Museum of Modern Art’s first survey of contemporary painting in over thirty years. Occupying half of the museum’s uppermost floor, The Forever Now presents works by seventeen…

  • An Exchange of Trust: Marina Abramović at Sean Kelly Gallery

    Marina Abramović is back in New York City, but this time, she won’t be seen. On her last visit, Abramović performed The Artist is Present (2010) for the blockbuster MoMA retrospective of the same name. For 736 hours and 30 minutes, Abramović sat immobile in MoMA’s atrium faced, one by one, by silent visitors. Most recently, she spent 512 hours…

  • An Installational Critique of Christopher Williams

    As is fitting with his perfectionist manner, American photographer Christopher Williams took an active collaborative role in the design and installation of his career-spanning survey, Christopher Williams: The Production Line of Happiness (on view July 27 to November 2, 2014), at the Museum of Modern Art. First mounted at the Art Institute of Chicago, the exhibition currently resides at MoMA…

  • Now Dig This! and the Ken Johnson Controversy: A Case For Pluralism in 20th Century Art History

    Ken Johnson’s controversial review of Now Dig This! Art and Black Los Angeles 1960-1980, currently on view at MoMA PS1 through March 11, has become nothing less than an art world scandal, sparking a deluge of denouncements from readers, an open-letter and petition against the New York Times backed by prominent artists, critics and art historians, and even an attempted…

  • Everything is Interrelated: a conversation with Roxana Marcoci

    The following is an abridged transcript of a conversation between IFA alumna Roxana Marcoci, Curator of Photography at The Museum of Modern Art, and the author, which took place at MoMA on 7 August 2012. I was born in Romania, in Bucharest, and I left when I was 18 as a political dissident. I became a political refugee in Paris…

  • “de Kooning: A Retrospective” at MoMA

    In terms of sheer size and scope, not to mention the veritable blitz of media attention, MoMA’s Willem de Kooning retrospective is the blockbuster exhibition of the season. Reviews of the show, which is on view through January 9, 2012, have been overwhelmingly positive—celebratory, if not laudatory. Among these exultations the voice of discontent has been rare. Some brave individuals,…