• An Interview with Hu Xiangqian

    In early November, IFA MA student Cindy Qi interviewed Hu Xiangqian, whose work is currently exhibited at the Institute of Fine Arts, NYU as a part of the fall Duke House Exhibition chin(a)frica: an interface, on view through February 18, 2018. Hu Xiangqian (b. 1983) was born in Leizhou, Guangdong Province and graduated in 2007 from Guangzhou Academy of Fine…

  • The Great Hall Exhibition Walead Beshty: Impressions

    My interest in inviting Walead Beshty to exhibit at the Institute was rooted in the nature of his work and the questions it raises for the art historical field. Beshty’s commitment to exposing systems, the movement and handling of works of art and the evolving meaning of the art object engenders timely and critical questions that challenge how we interact…

  • Watch this space!

    Right now the CAC blog is undergoing some exciting transitions, which we hope to share with you in 1-2 months. Keep us on your radar, and thanks for all the engaging conversations you’ve given us so far! Kristen Gaylord and Rachel Nackman, editors

  • Opulence in 2013? Welcome to TEFAF

    Three hours after boarding a train near Amsterdam, I stepped into the medieval town of Maastricht, which perks up around this time every year since The European Fine Art Foundation, or TEFAF, began in 1988. I joined the throngs of collectors, dealers, students, and art lovers in the wings. And then the doors opened to the world’s most lavish art…

  • (Nearly) Invisible Art: the Leiden University Medical Center Art Collection

    The Leiden University Medical Center (LUMC) is a world-renowned university and teaching hospital. What few people may realize is that it boasts an art collection and free public gallery, which hosts five shows per year. The LUMC holds an exhibition of nominees and winners of the Hermine van Bers visual arts prize—a yearly award that stimulates the development of young…

  • Wade Guyton: X is to Y as

    Wade Guyton is, in many ways, an art historian’s artist. He engages with the questions that get us going: questions of aesthetics, medium specificity, and the iconography of modernism itself, not to mention the very directness with which he prompts his viewers to wonder what’s “relevant” in art today. Lots of ink has been spilled attempting to define Guyton’s artistic…

  • Melissa Chiu on ‘Generational Ruptures’ in Chinese Contemporary Art

    Dr. Melissa Chiu gave a lecture titled “Art + Politics in Chinese Contemporary Art” as a part of the Daniel H. Silberberg Lecture Series on November 27th, traveling the few blocks between the IFA and her role as Museum Director and Senior Vice President of Global Arts and Cultural Programs at Asia Society. Chiu has published many books and articles…

  • Everything is Interrelated: a conversation with Roxana Marcoci

    The following is an abridged transcript of a conversation between IFA alumna Roxana Marcoci, Curator of Photography at The Museum of Modern Art, and the author, which took place at MoMA on 7 August 2012. I was born in Romania, in Bucharest, and I left when I was 18 as a political dissident. I became a political refugee in Paris…

  • Ends of the Earth: Land Art to 1974 at MOCA

    Last summer I travelled around the American Southwest in search of Smithson, Heizer, and Holt. This summer MOCA’s “Ends of the Earth” exhibition made me rethink everything I thought I knew about Land art. Here’s why… It was a tumultuous summer for the Los Angeles Museum of Contemporary Art (MOCA), which became embroiled in controversy following the forced-resignation of highly…

  • A Pacific Standard Time Travelogue, Part 3

    Editor’s Note: This review was written in March 2012. It has been reprinted here in its original form. For someone interested in Los Angeles art, Pacific Standard Time (PST), the Getty Initiative that connects over 60 Southern California cultural institutions and museums in an 11-month exploration and celebration of postwar Los Angeles culture, feels like a limited-time offer for an…