• Sharon Hayes and the “Near Past”

    Contemporariness is, then, a singular relationship with one’s own time, which adheres to it and, at the same time, keeps a distance from it. More precisely, it is that relationship with time that adheres to it through a disjunction and an anachronism.[1] – Giorgio Agamben Although Sharon Hayes is a contemporary artist, reviewers of her work almost always discuss it…

  • James Elkins in Conversation with Claire Brandon

    James Elkins, Professor in Art History, Theory, and Criticism at the School of the Art Institute of Chicago, delivered a lecture at the Institute of Fine Arts on February 10, 2015 as part of the Institute of Fine Art’s Daniel H. Silberberg Lecture Series. The lecture, “The End of the Theory of the Gaze,” explored the shortcomings of existing theories…

  • Augmented Reality Enters the Conservation Laboratory

    On October 22, 2014 at the Institute of Fine Arts, Jens Stenger gave a talk titled “Non-Invasive Color Restoration of Mark Rothko’s Harvard Murals Using Light from a Digital Projector” on behalf of his team (Santiago Cuellar, Rudolph Gschwind, Ankit Mohan, Yasuhiro Mukaigawa, Ramesh Raskar, Katherine Eremin and Narayan Khandekar). Like many conservation chronicles, this riveting lecture on the recent…

  • Notes from the Street: Charles Simonds at the IFA

    On October 7, for this year’s inaugural Artists at the Institute lecture, Charles Simonds delivered an energetic and astute summation of his career to date. He began with his earliest Dwellings—miniature architectural structures, made of clay, sand, and small bits of wood—which in the early 1970s seemed to emerge organically from the gutters, broken walls, and empty lots of downtown…

  • Blowing Up                                                   The Koons Effect

    Adding to the ever-increasing influx of (add preferred noun here: airtime, hype, prestige, simple volume of written or spoken words) about Koons’s work in the wake of the Whitney’s current retrospective, the joint IFA-Whitney symposium, The Koons Effect was a game participant. Unlike much of the other dialogue around the show, however, The Koons Effect aimed for tough methodological questions…

  • Modes of Defiance: Latin American Art, 1970 to the Present

    For the inaugural meeting of this year’s Latin American Forum on September 9th, Professor Edward Sullivan moderated a panel discussion titled Modes of Defiance: Latin American Art, 1970 to the Present, which met in conjunction with the exhibition Bearing Witness: Art and Resistance in Cold War Latin America at John Jay College of Criminal Justice (now closed). The panelists included two IFA alumnae, Dr.…

  • Melissa Chiu on ‘Generational Ruptures’ in Chinese Contemporary Art

    Dr. Melissa Chiu gave a lecture titled “Art + Politics in Chinese Contemporary Art” as a part of the Daniel H. Silberberg Lecture Series on November 27th, traveling the few blocks between the IFA and her role as Museum Director and Senior Vice President of Global Arts and Cultural Programs at Asia Society. Chiu has published many books and articles…

  • Architecture In Uniform talk by Jean-Louis Cohen at NYPL

    On February 29, 2012, Professor Jean-Louis Cohen gave a public talk on his new book, Architecture in Uniform: Designing and Building for WWII, at the Mid-Manhattan branch of the New York Public Library. Cohen began research for Architecture in Uniform—a project that would be some fifteen years in the making—as a way to pay some long overdue attention to architectural…

  • Carroll Dunham: Artist as Medium

    When Carroll Dunham loaded his PowerPoint presentation for his Artists at the Institute lecture, “Carroll Dunham Speaks About His Recent Work,” at the IFA on March 22, he requested that the projectionist leave the screen blank before he began his talk. My guess is that he didn’t want to scare away the audience with his first image–either Hers/Dirt/One (2009) or…