• An Interview with Hu Xiangqian

    In early November, IFA MA student Cindy Qi interviewed Hu Xiangqian, whose work is currently exhibited at the Institute of Fine Arts, NYU as a part of the fall Duke House Exhibition chin(a)frica: an interface, on view through February 18, 2018. Hu Xiangqian (b. 1983) was born in Leizhou, Guangdong Province and graduated in 2007 from Guangzhou Academy of Fine…

  • Sharon Hayes and the “Near Past”

    Contemporariness is, then, a singular relationship with one’s own time, which adheres to it and, at the same time, keeps a distance from it. More precisely, it is that relationship with time that adheres to it through a disjunction and an anachronism.[1] – Giorgio Agamben Although Sharon Hayes is a contemporary artist, reviewers of her work almost always discuss it…

  • James Elkins in Conversation with Claire Brandon

    James Elkins, Professor in Art History, Theory, and Criticism at the School of the Art Institute of Chicago, delivered a lecture at the Institute of Fine Arts on February 10, 2015 as part of the Institute of Fine Art’s Daniel H. Silberberg Lecture Series. The lecture, “The End of the Theory of the Gaze,” explored the shortcomings of existing theories…

  • Sturtevant: The Troublemaker

    In early February, Curatorial Assistant Ingrid Langston and IFA MA Candidate Ashley McNelis toured the MoMA galleries. Langston assisted MoMA PS1 Curator Peter Eleey in organizing the exhibition Sturtevant: Double Trouble at MoMA, which runs from November 9, 2014 to February 22, 2015. Double Trouble is timely not just in light of the artist’s recent passing, but also because it is only Sturtevant’s second American-organized…

  • A Rendez-vous with Philippe de Montebello

    Following a thirty-two-year tenure as Director of the Metropolitan Museum of Art, Philippe de Montebello has been, since 2009, Fiske Kimball Professor in the History and Culture of Museums at the Institute of Fine Arts. Also in that year, Professor de Montebello became the first scholar in residence at the Prado Museum in Madrid, and, among his many other honors…

  • Unfurling Sari Dienes

    The exhibition of Sari Dienes’s work at The Drawing Center (on view October 8 to November 16, 2014) highlighted the artist’s innovative and experimental approaches to mark making in her large-scale rubbings of New York City streets from the 1950s. On November 13, the curators of the exhibition (and current PhD candidates at the IFA), Alexis Lowry Murray and Delia…

  • Chromes at Home at Room & Board

    An oft-forgotten fact about Ad Reinhardt, the American artist best known for his black monochrome paintings, is that he was an avid photographer who made a practice of presenting his pictures in slideshow format. Throughout the 1950s and ‘60s, he showed hundreds of slides from his travels to his colleagues and to Hunter College students in rapid-fire succession. Reinhardt grouped…

  • Blowing Up                                                   The Koons Effect

    Adding to the ever-increasing influx of (add preferred noun here: airtime, hype, prestige, simple volume of written or spoken words) about Koons’s work in the wake of the Whitney’s current retrospective, the joint IFA-Whitney symposium, The Koons Effect was a game participant. Unlike much of the other dialogue around the show, however, The Koons Effect aimed for tough methodological questions…

  • Performance Art Takes Center Stage at Art Basel 2014 with “14 Rooms”

    Photos by author unless otherwise indicated. In addition to the staggering 233 modern and contemporary galleries at this year’s Art Basel (June 18-21, 2014 in Basel, Switzerland), notable were the separate spaces devoted to screening films by and about artists, performance art, and works that elude the (physical or conceptual) parameters of standard gallery spaces. The fair also encouraged dialogue…