Mark Your Calendars! Upcoming Events at the IFA

January 29 – March 14, 2015
New York University Curatorial Collaboration (IFA-Steinhardt)
Absence / Presence, curated by Anna Blum, Riad Kherdeen, Eloise Maxwell, Tola Porter, and Patryk Tomaszewski, on view January 29 – February 14, The Commons & Rosenberg Gallery
Days with Frog and Toad, curated by Katherine J. Wright, on view February 18 – 21, 80WSE Gallery
still, curated by Ksenia M. Soboleva, on view February 18 – 21, 80WSE Gallery
Hi, Boys!, curated by Halston Bruce, on view February 25 – 28, 80WSE Gallery
Unwanted Sexual Conduct Shouldn’t Be Part of Anyone’s Commute, curated by Ashley McNelis, on view March 4 – 7, 80WSE Gallery
I Would’ve Ripped It Out and Kept It Forever, curated by J. English Cook, on view March 11 – 14, 80WSE Gallery

Thursday, February 5, 2015, 5:00PM at the Steinhardt Barney Building (34 Stuyvesant Street)
Keeping it Real: A Panel Discussion for Absence/Presence, part of the NYU Curatorial Collaboration. The NYUCC will host a conversation about the thematic genesis for the exhibition. A core sampling of the artists and curators will participate, moderated by Ian Cooper, Faculty. A reception will follow celebrating the release of the publications for both Absence/Presence as well as the forthcoming Senior Honors Studio exhibitions at 80WSE.

Monday, February 9, 2015, 6:00 PM
Judith Praska Distinguished Visiting Professor in Conservation and Technical Studies Lecture
Salvador Muñoz Viñas, Professor and Head of Paper Conservation, Universitat Politècnica de València
Pride and Prejudice and Patina

Tuesday, February 10, 2015, 6:00 PM
The Daniel H. Silberberg Lectures
James ElkinsE.C. Chadbourne Professor of Art History, Theory, and Criticism, School of the Art Institute of Chicago
The End of the Theory of the Gaze

Wednesday, February 11, 2015 – Thursday, February 12, 2015
CAA 2015: Field/Work: Object and Site: 
The Art of Archaeology; an Art Historical Perspective
A panel discussion in conjunction with the CAA annual meeting.
These events takes place at the IFA Lecture hall.

Tuesday, February 17, 2015, 6:30 PM
Colloquium on Art in Spain and Latin America
Denise Birkhofer, Curator of Modern and Contemporary Art, Allen Memorial Art Museum, Oberlin College
The Body and the Void in the Art of Mira Schendel and Eva Hesse

Tuesday, February 24, 2015, 6:30 PM
Artists at the Institute
Sharon Hayes 

Tuesday, March 3, 2015, 6:30 PM
Artists at the Institute
Tehching Hsieh

Thursday, March 5, 2015, 6:00 PM
Colloquium on Art in Spain and Latin America
Rachel Weiss, Professor of Arts Administration and Policy, School of the Art Institute of Chicago
Uses and Re-Uses of the Radical Pasts

Tuesday, March 10, 2015, 6:00 PM
Latin American Forum
A Round Table on Curating Modern and Contemporary Arts of the Americas
Speakers: Richard Aste, Curator of European Art, Brooklyn Museum; Gabriela Rangel, Director of Visual Arts, The Americas Society; Pablo León de la Barra, UBS MAP Curator of Latin American Art, Guggenheim Museum; Iria Candela, Estrellita Brodsky Curator of Modern Latin American Art, The Metropolitan Museum of Art
Please check back for RSVP information.

Tuesday, March 24, 2015, 6:00 PM
The Daniel H. Silberberg Lectures
Carol Armstrong, Professor, History of Art, Director of Undergraduate Studies, Yale University
Lecture Title Forthcoming

Thursday, April 16, 2015, 6:00 PM
Latin American Forum
Artist Liliana Porter in Conversation with Edward J. Sullivan

Friday, April 17, 2015, 2:00 – 5:30 PM
(at the IFA)
Saturday, April 18th (at The Frick Collection)
IFA-Frick Symposium

Tuesday, April 21, 2015, 6:00 PM
The Daniel H. Silberberg Lectures
Barry Bergdoll, Meyer Schapiro Professor of Art History and Archaeology, Columbia University
Exhibiting Failure(s): Architecture’s paradoxical life on display at MoMA since 1932

Tuesday, May 5, 2015, 6:00 PM
Latin American Forum
Digital Torres-García 
A special panel discussion on the Uruguayan modernist artist, Joaquín Torres-García, moderated by Edward J. SullivanHelen Gould Sheppard Professor in the History of Art, Institute of Fine Arts and College of Arts and Sciences, NYU
Speakers: Luis Pérez-OramasEstrellita Brodsky Curator of Latin American Art for the Department of Drawings and Prints, Museum of Modern Art; Mari Carmen RamírezWortham Curator of Latin American ArtDirector, International Center for the Arts of the Americas, The Museum of Fine Arts, Houston; Cecilia de Torres, Scholar and head of the catalogue raisonné project on artist; Susanna Temkin, IFA Ph.D. Candidate and Research and Archive Specialist, Cecilia de Torres, Ltd.         

Mark your calendars! Fall 2014 at the IFA

Tuesday, October 7, 2014, 6:30 PM
Artists at the Institute
Charles Simonds
Open to the public. More info and RSVP here.
(Don’t miss Simonds on Bomb!)

Monday, October 27, 2014, 6:30 PM
Artists at the Institute
Simon Fujiwara
Open to the public. More info and RSVP here.

Tuesday, November 18, 2014, 6:00 PM
Latin American Forum featuring The Great Hall Exhibitions Artist Marta Chilindrón
A Conversation with Marta Chilindrón and Edward J. Sullivan
Open to the public. Please check back for RSVP details.

Thursday, November 20, 2014, 5:30 PM
Director’s Extracurricular
Conversation with Sheena Wagstaff, Chairman of the Department of Modern and Contemporary Art, Metropolitan Museum of Art
Event details to follow, here.

Tuesday, December 2, 2014, 6:00 PM
The Daniel H. Silberberg Lectures
Photorealism: A History of Surfaces
Joshua Shannon, Associate Professor, Contemporary Art History and Theory, University of ​Maryland
Open to the public. RSVP here.

Tuesday, December 9, 2014, 6:00 PM
Latin American Forum
Conceptualism in Latin America: A Conversation with Luis Camnitzer, Alexander Alberro, and Robert Slifkin
Luis Camnitzer, Artist
Alexander Alberro, Virginia Bloedel Wright Associate Professor of Art History, Barnard College
Robert Slifkin, Assistant Professor of Fine Arts, Institute of Fine Arts, NYU
Moderated by Edward J. Sullivan, Helen Gould Sheppard Professor in the History of Art, Institute of Fine Arts and College of Arts and Sciences, NYU
Please check back for RSVP information.

We have Instagram!

ifastagram

The IFA gets Instagram! As part of the IFA’s contemporary art blog, formerly the Contemporary Art Consortium, we are posting your contemporary art-related pics with the handle “ifastagram” — check it out!

Though ifacontemporary’s re-launch date is September 15, we’re accepting your Instagrams now — and anytime during the semester! Think a trip to Dia Beacon, art seen on your summer travels, a thought-provoking gallery visit, or even a Stieglitzian cloudscape — and include a one-sentence caption that ties it back to the blog, art history, or the IFA. (This account is meant to act as a counterpart to the blog, so posts should retain an appropriateness in line with the scholarly-yet-friendly atmosphere of our site.)

We are posting almost daily, so check back to see when yours is up!

http://instagram.com/ifastagram

Elizabeth Buhe and Caroline Barnett, editors

Re-launch scheduled for September 15!

 Christopher Williams (American, born 1956). Kodak Three Point Reflection Guide / © 1968, Eastman Kodak Company, 1968/(Meiko laughing)/Vancouver, B.C./April 6, 2005. 2005. Chromogenic color print, paper: 20 x 24″ (50.8 x 61 cm); framed: 34 x 37 3/4″ (86.4 x 95.9 cm). Glenstone. Courtesy of the artist; David Zwirner, New York/London; and Galerie Gisela Capitain, Cologne. © Christopher Williams

Christopher Williams (American, born 1956). Kodak Three Point Reflection Guide / © 1968, Eastman Kodak Company, 1968/(Meiko laughing)/Vancouver, B.C./April 6, 2005. 2005. Chromogenic color print, paper: 20 x 24″ (50.8 x 61 cm); framed: 34 x 37 3/4″ (86.4 x 95.9 cm). Glenstone. Courtesy of the artist; David Zwirner, New York/London; and Galerie Gisela Capitain, Cologne. © Christopher Williams

So fresh and so clean, clean!

Our editors have been hard at work planning a new look and garnering fresh material for the resuscitation of ifacontemporary – check in again on September 15 for our latest round of articles on contemporary art exhibitions, installations, and events in and around New York (peppered with a few insights from abroad).

Make it easy: subscribe and receive an email whenever we post something new!

Watch this space!

Gordon Matta-Clark's Conical Intersect in construction, 1975.
Gordon Matta-Clark’s Conical Intersect in construction, 1975.

Right now the CAC blog is undergoing some exciting transitions, which we hope to share with you in 1-2 months. Keep us on your radar, and thanks for all the engaging conversations you’ve given us so far!

Kristen Gaylord and Rachel Nackman, editors

March 20 CAC Event: Robert Morris in the Guggenheim’s Panza Collection

A Seminar for IFA Students and Faculty
Tuesday, March 20, 2012, 2:00-4:00 PM

The Contemporary Art Consortium at the Institute of Fine Arts, in collaboration with the Solomon R. Guggenheim Museum’s Panza Collection Initiative, invites students and faculty to visit and discuss a private installation of works by artist Robert Morris selected from the Guggenheim’s Panza Collection.

The group will meet on Tuesday, March 20, at 2:00 PM at an installation space located in the Brooklyn Navy Yard, in which the PCI has installed one dozen important works by the artist for the consideration of a committee of art historians and conservators who will gather in the space for a two-day meeting the week prior to the student visit.

Panza Collection Initiative members — Jeffrey Weiss, Francesca Esmay, Ted Mann, and Anne Wheeler — will lead a discussion of issues raised by the works. Participants are also encouraged to raise topics of related interest with regard to the work. Because discussion will be based on immediate reference to the works of art themselves, participation is limited to 20.

Ticket/entry details:

Registration open to the IFA community only. Reservation required. To register, please send an e-mail to awheeler[at]guggenheim[dot]org with your name and affiliation.

The event will be held at SurroundArt in the Brooklyn Navy Yard. Please allow adequate time for transportation (approximately 25 minutes by car or 45-60 minutes by subway from the IFA). Location details will be provided to confirmed participants.

IFA at CAA: Stay Tuned

A number of IFA students and professors will be presenting at the upcoming 2012 CAA conference in Los Angeles, February 22 to 25 at the LA Convention Center.

If you’re planning to attend the conference, you can support your colleagues and classmates at the following panels!

Happenings: Transnational, Transdisciplinary
Wednesday, February 22, 9:30 AM–12:00 PM
Concourse Meeting Room 403B, Level 2, Los Angeles Convention Center
Guerrilla Tactics and International Happenings: An Expanded View of Brazilian Art of the Late 1960s and Early 1970s
Anna Katherine Brodbeck, Institute of Fine Arts, New York University

The Interconnected Tenth Century
Wednesday, February 22, 9:30 AM–12:00 PM
Concourse Meeting Room 404A, Level 2, Los Angeles Convention Center
China among Equals: Recontextualizing the China-Abbasid Trade Connection in the Long Tenth Century
Hsueh-man Shen, Institute of Fine Arts, New York University

Internationalizing the Field: A Discussion of Global Networks for Art Historians
Wednesday, February 22, 12:30 PM–2:00 PM
West Hall Meeting Room 501ABC, Level 2, Los Angeles Convention Center
Townhouse Gallery “Archive Map” Project
Clare Davies, Institute of Fine Arts, New York University

From Camp to Visual Culture: Accounting for “Bad” Art since the 1960s
Wednesday, February 22, 2:30 PM–5:00 PM
Concourse Meeting Room 404A, Level 2, Los Angeles Convention Center
Good Ideas Done Bad: Neil Jenney’s Bad Paintings
Matthew Levy, Institute of Fine Arts, New York University

Theorizing the Body
Thursday, February 23, 9:30 AM–12:00 PM
Concourse Meeting Room 403B, Level 2, Los Angeles Convention Center
Body of Work: Stylization and Ambiguity in the Benin Plaque Corpus
Kathryn Wysocki Gunsch, New York University

Towards a Rock and Roll History of Contemporary Art
Thursday, February 23, 2:30 PM–5:00 PM
Concourse Meeting Room 409AB, Level 2, Los Angeles Convention Center
Chairs: Matthew Jesse Jackson, University of Chicago; Robert Slifkin, Institute of Fine Arts, New York University
The Sense of an Ending: Spiral Jetty and the Stones at Altamont
William Smith, Institute of Fine Arts, New York University

New Research in the Early Modern Hispanic World
Saturday, February 25, 9:30 AM–12:00 PM
West Hall Meeting Room 511BC, Level 2, Los Angeles Convention Center
Old Meets New: Classicizing Visions in Diego de Valadés’s “Rhetorica Christiana”
Laura Leaper, Institute of Fine Arts, New York University
Soldier Ecclesiasticus: Images of the Archangel Michael in New Spain
Niria Leyva-Gutiérrez, Institute of Fine Arts, New York University

New Scholars Session
Saturday, February 25, 12:30 PM–2:00 PM
West Hall Meeting Room 501ABC, Level 2, Los Angeles Convention Center
The Garden Landscape and the French Interior
Lauren Cannady, Institute of Fine Arts, New York University

(Re)Writing the Local in Latin American Art
Saturday, February 25, 2:30 PM–5:00 PM
West Hall Meeting Room 501ABC, Level 2, Los Angeles Convention Center
“Un Espacio Abierto”: Metaphors of Space and Community in
Mexico City’s “Temístocles 44”

Emily Sessions, New York University

Manuscripts without Moorings, Objects and Their Origins: Stylistic Analysis or Stylistic Attribution?
Saturday, February 25, 2:30 PM–5:00 PM
West Hall Meeting Room 501ABC, Level 2, Los Angeles Convention Center
Medieval Spanish Painting at the Crossroads: Stylistic Pluralism in the “Liber Feudorum Maior” of Barcelona
Shannon Wearing, Institute of Fine Arts, New York University

Situating Expanded Cinema in Postwar Art Practice
Saturday, February 25, 2:30 PM–5:00 PM
Concourse Meeting Room 409AB, Level 2, Los Angeles Convention Center
“We Must Build Our Theaters in the Air”: Jaime Davidovich
and Public-Access Cable Television

Sarah Johnson Montross, New York University

Experience Performa 11: Live Performances and Classes

by Tina Orlandini

Thanks to Performa 11, the only biennial dedicated to exhibiting contemporary works of performance art, November in New York City is filled with brilliant performances that combine the aesthetic value of visual art and the brilliance of experimental music, dance, and theater with subtle yet poignant social and political nuances. Although all of the performances deserve to be experienced, there are a few upcoming shows that have been highlighted as “must-see” performances by biennial director RoseLee Goldberg.

Shirin Neshat, an Iranian artist whose work originally inspired Goldberg to develop Performa, collaborates with Iranian musicians, vocalists, and actors to create the production OverRuled. The story touches on issues of contemporary Iranian politics and is set in a court of law in which the audience, imagination, and life are on trial for heresy. As is true for all of Neshat’s artwork, this performance promises to excite your visual and auditory senses, while also speaking to issues of global politics.

iona rozeal brown makes her live performance debut at this year’s biennial, bringing to life her cross-cultural paintings in battle of yestermore. The performance incorporates Japanese theater, which has influenced much of her work, with the dance style known as “vogueing,” performed by its pioneers Benny and Javier Ninja, as well as other hip hop dancers. The performance will also include one of brown’s original scores.

Liz Magic Laser’s Performa 11 multi-media piece, I Feel Your Pain transforms American political commentary into an all-encompassing romantic comedy. The performance includes press conferences with political figures like Sarah Palin and Glenn Beck. Laser herself performs among the eight actors who appear on stage and within the audience.

Mika Rottenberg and Jon Kessler collaborate to create the performance-installation SEVEN at Nicole Klagsbrun Gallery. Rottenberg’s surreal videos, juxtaposed with Kessler’s kinetic sculptures, allow visitors to travel across time and space, from the streets of New York City to the African savannahs. Much of Rottenberg’s work speaks to the politics of the female body, while Kessler’s mechanically exposed kinetic sculptures have shifted toward questions of surveillance following 9/11. Together, the efforts of these artists culminate in one visually loaded and content-laden performance, designed to last exactly 37 minutes.

Robert Ashley is known as the pioneer of music-television and has had a tremendous influence on contemporary opera since the 1960s. For Performa, Ashley will exhibit a fresh rendition of his 1968 three-act opera That Morning Thing, which will include seventeen performers and incorporate male and female voices. Followers and critics of Ashley’s work have expressed their eagerness to experience the performance again in a new way.

In addition to the many performances, Performa 11 also offers myriad artist-taught classes, exhibitions, film screenings, and more at the Performa Institute, affectionately referred to as the Hub, at 233 Mott Street. Some of the programs you won’t want to miss include:

Garage Center for Contemporary Culture, 33 Fragments of Russian Performance (on-going exhibition, 3rd floor of Performa Institute)
November 2 – 21, 1:00 – 5:00pm

Mark Beasley (Performa curator) and Nathaniel Mellors (Performa artist), Cockadoodledon’t!!!: On Humor and Language
Monday, November 14, 3:00 – 4:00pm

Dennis Oppenheim, Compression Fern (1970) Screening and Action
Wednesday, November 16, 5:00 – 6:00pm

Guy Maddin (filmmaker and Performa artist), The Power of a Community-Free Cinema
Saturday, November 19, 3:00 – 4:00pm

The Performa team is always looking for enthusiastic students to volunteer and to become a part of this exciting experience. All those interested in getting involved with Performa should contact Marc Arthur (marc[at]performa-arts[dot]org).

Tina Orlandini is a graduate student in Arts Politics at NYU’s Tisch School of the Arts.

Stay Tuned for the Green Beijing Series

The CAC blog is excited to introduce a new series of posts revolving around Professor Jonathan Hay’s current Green Beijing colloquium at the Institute. A collaborative effort led by current MA candidate Elizabeth Lee, this series will be posted regularly for the duration of the Fall 2011 semester, beginning on November 14.

Zhang Dali Demolition: Forbidden City, Beijing, 1998, chromogenic color print, 35 9/16 x 23 11/16" (90.3 x 60.1 cm). Image via The Museum of Modern Art, New York.
The site of current day Beijing has seen its fair share of change. From Mongol pleasure palace to bustling Han metropolis, the city and the people who populated it have existed in a state of flux for centuries. In Professor Jonathan Hay’s Fall 2011 Green Beijing colloquium, we are focusing on the 15th century in an attempt to recreate the Ming dynasty capital in all its urban (and surprisingly verdant) glory. Through the surviving pieces of the imperial palace (aka the Forbidden City), the temples, and the surrounding parks and lakes, we are inching slowly toward an understanding of the various levels of symbolism encoded within the urban landscape of Ming Beijing. The ideological and experiential dimensions of Ming Beijing are further colored by student-led cross-cultural comparisons with cities like Angkor, Delhi, and Kyoto. While the colloquium attempts to build a vision of Beijing rooted in the past, this blog is an effort to pull the discussion closer to our own time.

By listing and discussing some contemporary artworks that deal with the historical sites we investigate—for example, the Temple of Heaven, Beihai, Beijing’s “seas,” and the city’s hutongs—we hope to create a dialogue between Ming Beijing and the Chinese capital of the 21st century.

Info Session – Wednesday, October 12, 12:30 PM

After a summer-long hiatus, the blog is preparing to relaunch with new material and a fantastic new addition to the editorial team, IFA doctoral candidate Kristen Gaylord.

We hope you’ll stay tuned for upcoming content…and we’ll need your feedback and submissions!

Please join us in the IFA Seminar Room at 12:30 PM on Wednesday, October 12, for an informational meeting. We will discuss the types of pieces we’d like to post, our revised submissions guidelines and schedules, and open opportunities to write regularly as a columnist.

If you cannot make the meeting but would like to learn more, please visit our website or email us at ifacac[dot]editor[at]gmail[dot]com with your questions. We encourage all students and alumni to get involved!